![]() Thanks, Joe.īut, of course, that personal reference is trivial when compared to this multi-resonating story as a whole…and to a king’s sad death and the Sign many saw in his face at that time.Ī momentous night for me concerning those great ones who have sadly departed, because I have realised just now that I inadvertently and inexcusably missed out Joel Lane’s Carcosa story “My Voice Is Dead” when earlier reading and reviewing these two books’ stories in my gratuitously prescribed alphabetical-by-author’s-surname order (gratuitous other than as a preternatural experiment in dreamcatching?) I shall continue reading and rereading this Pulver and receiving more and more from it, as I shall reread KEW’s work, too, to enable those steps back and forth to be completed before I do truly end up on that mall with Elvis eating anchovies – and that was a great surprise and honour to me tonight to suddenly see that reference in the Pulver. ![]() So even beyond those 20 Padgettian steps toward their optimum two-way ventriloquising between death and life, dream and non-dream, and between Price’s unreal unreal and real unreal…as I read, for the first but not the last time, Pulver’s theme and variations upon Chambers work – watching and listening to KEW as the KEY of KiY as well as its retrocausal sigil knot. “How hard would it have been to navigate thirty steps and talk for a few minutes?”…. ![]()
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